Yes of course when it’s things you don’t see every day such as the French counterpart of Target, chocolate-scented postage stamps and mail being delivered on stilts! As usual I’m posting pictures of things I’m pretty sure you’re not going see to anywhere else, with one or two exceptions.
I know, the Postal Museum sounds less interesting than watching paint dry –
but trust me it’s riveting and absolutely worth a visit.
They used to deliver mail by dog cart…
and on stilts in marshy areas…
and by pigeons carrying microfilm during the siege of Paris in 1870-1871 during the Franco-Prussian war (one of the actual pigeons and yes actual microfilm like in 1960s spy movies)
Projection of mail from microfilm, 1870-71
…and by ski
Chocolate-scented stamps celebrating 400 Years of Chocolate (2009). Sorry for the glare. They really need to get anti-refliective glass!
20-foot long map from 1265 (not a typo) of routes from Bordeaux to India (1887 reprint)
“I’m so used to people not knowing about anything but Eloise. That sort of disappoints me.” – Hilary Knight, illustrator of the Eloise books
Here’s my collection of seldom-seen illustrations by Hilary Knight, who drew the pictures for the Eloise books and turns out to have had a long career as illustrator for magazines, books and posters, along with pictures from the fascinating history and background of Eloise, also seldom seen. It all shares the droll, quirky wit of the Eloise books, making Knight one of our most inspired illustrators.
Some of what’s here I saw at an exhibition at the Normal Rockwell Museum in Massachusetts and was published once, such as in magazines, and then disappeared from view, or is unpublished drafts and other rarities that were on display. Others were found buried in old magazines that are online or have surfaced in auctions of Knight’s work in the last few years but don’t show up in the articles about him. Altogether though, very little of it has ever been gathered all in one place.
Also I’ve pulled together the first-ever collection of all the material from the first Eloise book that was changed starting in the 1980s, when it seems to have been decided that certain parts that were acceptable for children in the 1950s were now too racy, such as toilets, cannabis and poking fun at Peter Rabbit. As fas as I know the changes have only been mentioned once or twice in print and never all together in one place .
Drawing for Saks Fifth Avenue advertisement c.1971
This is actual German currency from around 1914 to 1923 when the country issued hundreds of varieties of so-called emergency currency (Notgeld, “emergency money”) as a response to a number of different economic crises. By far the most famous of these was the hyperinflation from 1921 to 1923, when 100-trillion mark notes were issued and the exchange rate was around 4 trillion marks to one U.S. dollar. At bottom left are notes ranging from 100 to 100 million marks.
These are electrical safety posters from the 1920s and 30s from various countries that I found in the online archives of a science museum in Vienna (deeply buried and complicated to track down, by the way – poor database design!) Originally they were in the Museum of Electropathology which existed from 1906 to 2002 and was founded by a Jewish doctor named Stefan Jellinek who was the first to specialize in the science and treatment of electric shocks to the human body due to accidents and lightning, and electrical safety in the home and workplace.
Click to enlarge and use arrow keys to go to the next
Recently in Amsterdam I trekked out to a semi-remote nondescript residential quarter to visit the world’s first modernist apartment building, built in 1917, which is also one of the most important examples of a gloriously eccentric, little-known and absolutely unique style called the Amsterdam School. Lasting from the late-1910s up to World War II, it combined the austere, spartan functionalism of 1920’s modernisn with Art Deco’s geometric extravagance; Frank Lloyd Wright’s dramatic intersecting planes; and – curve ball! – traditional Indonesian styles; and – another curve ball! – a quirkiness that looks like it could have come from Dr. Suess.
Click on images to enlarge and click again on the edges to jump to next or previous image.
Incredible exhibition of eighteenth-century drawings from the Bibliothèque Nationale de France (French National Library) at the Clark Art Institute in Massachusetts. The point was to show drawings that were made for all sorts of purposes other than just sketches for paintings or to practice drawing human figures, which normally are just about only kind you ever see in museums and the reason why the drawings galleries are the boring ones you always skip (admit it!) This showed how exciting the drawings departments could be.
Above: Design for a toy carriage; shells by Émilie Bonnieu, one of the many women who had lucrative careers producing illustrations of natural specimens; Parisian street vendors with their cries notated Continue reading “Drawings from the French National Library”
For two millienia, India was the only country that had figured out how to dye or print in color in cotton, because it was extremely difficult before the modern era, involving complicated methods and obscure plant extracts. Pliny marveled over it in 70 A.D. and England didn’t learn the methods until the mid-1700s . So India was more or less the sole supplier of printed cottons, or chintz – a Hindi word – not just to Europe but also to places such as Japan, southeast Asia, and the middle East, in patterns following the local traditions. An exhibition at the St. Louis Art Museum entitled Global Threads: The Art and Fashion of Indian Chintztells the story.
Click to enlarge
Chintz made in India c.1875 for the Iranian market
Inside the St. Louis Art Museum looking out from the new wing onto the original building. Black and orange rectangles are a Frank Stella and a Barnett Newman reflected in the window. White ramp is outdoors in front of the old building.
Japanese print from 1873 depicting the moment when the Frenchman Josué Heilmann, inventor of he cotton-combing machine, was inspired by watching his daughter’s hair being combed, from the series “Biographies of Great People of the Occident”.
Coup de cœur means “a delightful special thing you’ll fall in love with” or “personal favorite” as I’ve mentioned elsewhere and I’m using the term half-ironically because the French use it so much. They’re crazy about it. You can’t go five minutes in France without seeing it, at least in print; I think not really in everyday speech. But these really are some of my coups de cœur.
Subway poster for exhibition “Baudelaire: Melancholic Modernity”
I just learned that the Netherlands has a long history of paper cuts, the artworks made by cuttiing a single sheet of paper. Hardly information about the Dutch tradition is available in English so I gathered together a few highlights. (Incidentally I also just found out there is a Jewish paper cut tradition going back 500 years. You may have seen Chinese paper cuts around; they’re much better known.) One Dutch paper cut artist I like a lot is Hil Bottema (1913-1968). Much of her work is printed matter based on paper cuts. I don’t know whether she did them originally as paper cuts or just drew them in that style.
My favorites are her New Year’s cards.. Click images to enlarge.
Postage stamps and pages from an informational booklet that accompanied them. The stamps are for Christmas and other holidays and have a surcharge that benefits children’s charities.
