Just wanted to plop down a few pages from Eric Sloane’s books to give some idea of what he was about. He wrote and illustrated books on rural buildings, woodworking, infrastructure such as bridges and roads, landscapes, and farm life in early colonial New England, as well as the weather and seasons. He even wrote a book just about bells. I’m not aware of anyone else like him regardless of era or region.
The St. Louis Art Museum only has one small gallery for textiles but its exhibitions are always miniature showstoppers. This one was on commercial fabrics which is a topic you rarely see even in design museums. The focus was on the U.S., U.K. and Italy 1940 to 1970 and it really showed how little flair we have around us nowadays. There’s multiple photos because I really need you to see the patterns as a whole as well as close up so you can see the texture. Otherwise it’s like watching a TV from across the street!
On the left is a pattern from 1954 called Concetto spaziale (Spacial concept) by the artist Lucio Fontana who’s known for distorting and slicing canvases rather than just painting them. The raised texture is an illusion on plain flat cotton printed with an ethereal pastel pink and murky dull eggplant. The design on the right was the winner of a competition in Italy in 1957 that got five thousand submissions.
Berliners love cafes with overly long cutesy names and here’s my documentation. They drive me nuts, triggering a visceral loathing like few things other than the Microsoft paper clip do. They’re cloying, gimmicky, and precious (“affectedly dainty or overrefined”, to quote the dictionary). Somehow they aim for cute yet land on pompous, which is quite a feat.
Shaker “gift” drawings such as these from the 1840s and 50s are the only objects where Shakers used ornament or decoration. Only around 200 are known to exist and 25 of them are at Hancock Shaker Village in Massachusetts where I saw these. Today they’re called ‘gift drawings’ only because they’re referred to as gifts the few times they’re mentioned in journals, where ‘gift’ meant a spiritual message received supernaturally from deceased Believers. Otherwise we don’t know what the Shakers called them and in fact no record exists of the Shakers referring to them as drawings at all, or as art.
Photos of the uncanny light and color in the landscape during the solar eclipse which are almost as exciting as the eclipse itself. I can’t find other photos like these anywhere online! (sun photos are at the bottom). Colors become dull, washed-out, greyish or reddish. At times everything looks flat and two-dimensional. Sometimes it looks like an old faded photograph or that thing on flat screen TVs nowadays where they make everything you watch look like a cheap badly-lit 80s daytime soap opera (it’s called “Motion Smoothing” but most people call it “soap-opera effect” and everyone hates it; most TVs have a hard-to-find setting that lets you switch it off ). It would take a very expensive camera and lots of experience to really capture the colors it but you can get the idea here.
I forgot to take pictures of the scene without the eclipse! Except for this one after the eclipse was finished which you’ll see is the only one that has completely normal picture-postcard green grass and blue sky.
Yes of course when it’s things you don’t see every day such as the French counterpart of Target, chocolate-scented postage stamps and mail being delivered on stilts! As usual I’m posting pictures of things I’m pretty sure you’re not going see to anywhere else, with one or two exceptions.
I know, the Postal Museum sounds less interesting than watching paint dry –
but trust me it’s riveting and absolutely worth a visit.
They used to deliver mail by dog cart…
and on stilts in marshy areas…
and by pigeons carrying microfilm during the siege of Paris in 1870-1871 during the Franco-Prussian war (one of the actual pigeons and yes actual microfilm like in 1960s spy movies)
Projection of mail from microfilm, 1870-71
…and by ski
Chocolate-scented stamps celebrating 400 Years of Chocolate (2009). Sorry for the glare. They really need to get anti-refliective glass!
This is a 20-foot long map from 1265 of routes from Bordeaux to India or rather a reprint of it from 1887
Recently in Amsterdam I trekked out to a semi-remote nondescript residential quarter to visit the world’s first modernist apartment building, built in 1917, which is also one of the most important examples of a gloriously eccentric, little-known and absolutely unique style called the Amsterdam School. Lasting from the late-1910s up to World War II, it combined the austere, spartan functionalism of 1920’s modernisn with Art Deco’s geometric extravagance; Frank Lloyd Wright’s dramatic intersecting planes; and – curve ball! – traditional Indonesian styles; and – another curve ball! – a quirkiness that looks like it could have come from Dr. Suess.
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Here are a couple of items that should shed some light on things that actual French people like and don’t like, or do and don’t do, and despite the endless flow of “insider’s” guidebooks, I’ve never seen them explained in English. (Did you know that you can’t order pastries in restaurants in France, for all intents and purposes?) This post was inspired by a friend who asked for some travel tips for a part of France that I hadn’t been to. It occured to me though that these tips should save every traveler time and headaches and I think they’re fascinating even if you’re not making a trip.
traiteur – a sort of deli that sells prepared foods to go and maybe sliced cheeses and meats (but not sandwiches! , which are sold at boulangeries, bakeries)….
For nearly two millienia, India was the only place where people had figured out how to dye or print in multiple colors on cotton. Before modern industrial chemicals, getting just about any color to stick to cotton textiles – apart from indigo and a couple more – involved complicated, labor-intensive methods and obscure plant extracts that no one else had discovered. As early as 70 A.D., Pliny was marveling in over India’s colored cottons; the British couldn’t dye cotton until they learned India’s methods in the mid-1700s through their colonial trade. Until then, India was more or less the only supplier of colorful printed cottons, or chintz – a Hindi word – not just to Europe but also throughout Asia and they didn’t simply export their own designs but instead tailored them to each region’s local traditions. An exhibition at the St. Louis Art Museum entitled Global Threads: The Art and Fashion of Indian Chintztells the story.
Click to enlarge and page through each set
Chintz made in India c.1875 for the Iranian market
There’s about four arches deep in the woods an hour or so from Springfield and you can’t seem them from any road; you have walk on a trail which is a popular local sight. There’s also a few assorted disused bridges, a quarry and a tower remaining from some sort of artists colony or commune from the 1960s or 70s. Amtrak and freight trains still use the bridges and I saw an Amtrak train go by just a few feet from the trail.
The bridges were built in in 1840 as “dry” masonry, that is, stones just piled up without cement or mortar. The rail line was the world’s longest, highest and steepest, and the world’s first to go up a mountain. The lead engineer for the construction was Whistler’s father, that is, the husband of Whistler’s Mother, as in the famous painting by James MacNeill Whistler.
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Clock tower, the only remains of a former artists’ colony or commune
