India’s 1,500-year trade secret: The mysteries of dyeing at the St. Louis Art Museum


For nearly two millienia, India was the only place where people had figured out how to dye or print in a range of colors on cotton. Before modern industrial chemicals, getting just about any color – apart from indigo and a couple others – to stick to cotton fabric involved complicated, labor-intensive methods and obscure plant extracts that no one else had discovered. As early as  70 A.D., Pliny was marveling in over India’s colored cottons; the British couldn’t dye cotton until they learned India’s methods in the mid-1700s through their colonial trade. Until then, India was more or less the only supplier of colorful printed cottons, or chintz – a Hindi word – not just to Europe but also throughout Asia and they didn’t simply export their own designs but instead tailored them to each region’s local traditions. An exhibition at the St. Louis Art Museum entitled Global Threads: The Art and Fashion of Indian Chintz tells the story.

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